A historic object returns to Iraq. What does this have to do with Noah's Ark?

 

A 3,600 year old clay tablet telling part of the Epic of Gilgamesh is being returned to Iraq after being looted from a museum during the Gulf War in 1991.

The epic is a fascinating tale, written perhaps a millennium before the Book of Genesis. It recounts how human beings had become so numerous the noise they made was unbearable, and the gods could no longer sleep.  So they decided to ‘exterminate mankind.’ 

To achieve this, they ‘turned daylight to darkness’, and summoned up a storm and a half. ‘For six days and six nights the winds blew, torrent and tempest and flood overwhelmed the world.’ Then on the seventh day, the storm subsided, and the sea ‘stretched as flat as a roof-top.’ And mankind was ‘turned to clay’.

But not quite. One of the gods had a soft spot for a man named Utnapishtim and had tipped him off about the impending catastrophe. So he and his family had commissioned a boat and escaped. With them they took samples of ‘the beast of the field, both wild and tame’, as well as the ‘craftsmen’ who had built their vessel.

For anyone who knows the story of Noah’s Ark from the Bible, much of this will sound rather familiar. For the full story, see my book Storm: Nature and Culture (Reaktion Books).

Storm god = top god

When you think of how terrifying and awesome storms can be, it is not too surprising that in ancient religions the top god was often the storm god whether it was Zeus brandishing his thunderbolt, Thor with his magic hammer, or Indra riding his multi-tusked elephant.

My new book Storm: Nature and Culture features some of the fascinating stories surrounding them - such as of how a wicked giant stole Thor’s hammer and demanded the hand of a princess in marriage as the price of its return. Thor disguised himself as the bride, and managed to escape detection at the wedding ceremony in spite of eating an ox and eight salmon. Then he grabbed the hammer and killed the giant.

The Maoris told of how the sky god made love so endlessly to the earth goddess that their children could never get out of her womb. Eventually one of the young gods managed to prise them apart, but this upset the storm god Tawhirimatea who had been quite happy inside his mother, and now became an unruly presence on land and sea.

Some rulers tried to imitate their storm god – such as a pre-Roman king of Alba Longa in Italy who declared he was more powerful than Jupiter. When it thundered, he ordered his soldiers to bang their shields to drown out the noise. He is said to have been struck dead by lightning.

Storms also play an important role in the Bible. A fearful rainstorm generates Noah’s flood, the mother of all hailstorms is one of the plagues of Egypt, Jonah is swallowed by a great fish after a storm at sea, and Christ calms a tempest on the Sea of Galilee. 

For more, see Storm: Nature and Culture published by Reaktion Books.

Diary Date - flood talk October 9

I'm giving a talk entitled 'Are floods getting worse? at Swiss Cottage Library on October 9 at 1830, based on my book Flood: Nature and Culture.  Admission free.  All welcome.   

Last year, the UK’s Environment Agency issued a record number of flood warnings, while also in the last few years, Pakistan has had its worst monsoon floods in eight decades, Thailand suffered one of the costliest inundations in history, Colombia and Brazil experienced the severest in living memory, and Australia’s prime minister declared the Queensland floods perhaps the worst natural disaster ‘in the history of our nation’.

So are things actually getting worse? I will be revealing that floods are the natural disasters humans are most likely to experience, and that some of the most ambitious structures ever built have been put up to defend us against them.

I will also be telling how stories like that of Noah’s ark, about an apocalyptic flood which almost wipes out humanity, feature in dozens of religions all over the world. Floods caused by rain, melting snow, storms, tsunamis, tides, the failures of dykes or dams, or deliberate act of war all feature.

The talk will also look at the way floods have been portrayed in films, literature and art.

Floods in art

Floods are the natural disaster most commonly suffered by humanity, so it is not surprising that they have so often proved an inspiration for painters. Noah’s flood, for example, was one of the first subjects in Christian art, portrayed on the walls of the catacombs beneath Rome from as early as the third century (above).

It has been depicted by artists as diverse as Michelangelo, Raphael, Breughel, Poussin, Turner, Géricault, Millais, Dali, Chagall, and David LaChapelle. Other flood myths, such as the ancient Greek story of Deucalion also attracted artists like Tintoretto.

What attracted the Impressionists to floods was how the changed landscape gave them a new opportunity to investigate the fleeting effects of light. When Port-Marly on the Seine was inundated in the spring of 1876, Sisley painted it seven times, and Monet and Camille Pissarro also executed multiple takes on real floods.

Worries about global warming have stimulated the imaginations of modern artists, with illustrators Robert Graves and Didier Madoc-Jones composing London as Venice in which Westminster Abbey and the Houses of Parliament have become islands in a lake, while the British graffiti artist Banksy painted the slogan: ‘I don’t believe in global warming’ on a wall above a London canal in such a way that the letters seemed to be disappearing beneath the water.

*The full story appears in my new book, Flood: Nature and Culture (Reaktion Books ISBN 978 1 78023 196 9) which also includes chapters on how floods have been portrayed in literature and films, on the flood myths that appear in dozens of religions, on history’s deadliest floods, on how some of the most ambitious structures ever built have been erected in an effort to combat flooding, and on the impact that climate change may have on humanity’s attempts to fight floods in the future.

** Here I am being interviewed about floods by BBC Radio Humberside - https://www.youtube.com/watch?v=cDrkPEVsz2o

Apocalyptic floods in religions

The story of Noah is one of the best-known in the Bible – the universal flood, the warning to the one righteous man to save his family, the ark, the dove that goes out to find land, the sacrifice to God, the re-population of the earth.

But dozens of religions in different parts of the world have their own tales of apocalyptic deluges - perhaps a reflection of the fact that floods are the natural disaster most commonly suffered by humanity.

A story from the Middle East even older than Noah’s, The Epic of Gilgamesh, shows striking similarities. It relates how, as human beings grew in numbers, they started to make so much noise that the gods decided to destroy them all, apart from a solitary good man and his family who were tipped off, enabling them to escape in a huge boat.

Apart from the Middle East, tales of apocalyptic floods are also found in Greece and India, in south-east Asian countries such as Burma, Vietnam, and Indonesia; in New Guinea and Australasia; in many South Pacific Islands, the Philippines, Taiwan, the Kamchatka peninsula of Far Eastern Russia, Lithuania, Transylvania, and all over North and South America.

*For the full story, see my new book, Flood: Nature and Culture (Reaktion Books) ISBN 978 1 78023 196 9. It also includes chapters on the deadliest floods in history, how floods have been portrayed in literature, art and films, how some of the most ambitious structures ever built by humans have been erected to protect against flooding, and how climate change may now be making humanity more vulnerable than ever to the waters.