Storm gods rule!

In ancient religions all over the world – Greece, Rome, Iceland, India – the chief god was the god of storms, whether it was Zeus brandishing his thunderbolt, Thor with his magic hammer, or Indra riding his multi-tusked elephant.

My new book Storm: Nature and Culture (Reaktion) explores the fascinating stories surrounding these gods, such as how a wicked giant stole Thor’s hammer and demanded the hand of a princess in marriage as the price of its return. Thor disguised himself as the bride, and managed to escape detection at the wedding ceremony in spite of eating an ox and eight salmon. Then he grabbed the hammer and killed the giant.

The Maoris told of how the sky god made love endlessly to the earth goddess so their children could never get out of her womb. Eventually one of the young deities managed to prise them apart, but this upset the storm god Tawhirimatea who had been quite happy inside his mother, and now became an unruly presence on land and sea.

In some Slavic regions, they believed the darkness held the sun prisoner in a cell which could be opened only by lightning from the storm god, Perun, and a spring festival used to be held at which maidens would dance themselves to death in his honour. This became the inspiration for Stravinsky’s ballet, The Rite of Spring, while the cult 1970s British horror film, The Wicker Man, was inspired by sacrifices to the Celtic storm god, Taranis.

For much more on the role of storms in religion, see Storm: Nature and Culture by John Withington. Reaktion Books. Price £14.95.  ISBN 9781780236612.

Apocalyptic floods in religions

The story of Noah is one of the best-known in the Bible – the universal flood, the warning to the one righteous man to save his family, the ark, the dove that goes out to find land, the sacrifice to God, the re-population of the earth.

But dozens of religions in different parts of the world have their own tales of apocalyptic deluges - perhaps a reflection of the fact that floods are the natural disaster most commonly suffered by humanity.

A story from the Middle East even older than Noah’s, The Epic of Gilgamesh, shows striking similarities. It relates how, as human beings grew in numbers, they started to make so much noise that the gods decided to destroy them all, apart from a solitary good man and his family who were tipped off, enabling them to escape in a huge boat.

Apart from the Middle East, tales of apocalyptic floods are also found in Greece and India, in south-east Asian countries such as Burma, Vietnam, and Indonesia; in New Guinea and Australasia; in many South Pacific Islands, the Philippines, Taiwan, the Kamchatka peninsula of Far Eastern Russia, Lithuania, Transylvania, and all over North and South America.

*For the full story, see my new book, Flood: Nature and Culture (Reaktion Books) ISBN 978 1 78023 196 9. It also includes chapters on the deadliest floods in history, how floods have been portrayed in literature, art and films, how some of the most ambitious structures ever built by humans have been erected to protect against flooding, and how climate change may now be making humanity more vulnerable than ever to the waters.